Carlos Amorales (MX), Tobia Bezzola (CH), Beni Bischof (CH), Stefan Burger (D), Jake & Dinos Chapman (UK), Com & Com (CH), Vadim Fishkin (RU), Rainer Ganahl (AT), Johannes Gees (CH), Swetlana Heger (AT, CZ), IRWIN (SI), Dimitry Kawarga (RU), Knowbotic Reserach (CH/AT), Lia Perjovschi (RO), Anca Munteanu Rimnic (RO), Kerim Seiler (CH), Vladimir Tatlin (RU), Tristan Tzara (RO), Pavel Zhagun (RU), Alexis Zurflüh (CH), Leif Elgren & Carl Michael von Hauswolff (SE), Alexander Zhuravlev & Alina Glazun (RU)

"The work of Dmitry Kawarga normally deals a lot with ideas of biomorphism. A term and a small branch in art history that was very much influenced and formed by Hans Arp. Not just remaining in biomorphism, like Arp, Kawarga adds a whole new social and urban dimension to the works, that makes us think of terms like „rhizom“ promoted by the poststructuralists Deleuze and Guattari.

For Dada Moscow Kawarga invented a totally new work, which seems to be qutie different to the abstract, biommorph works he normally does. It is an interactive installation that brings up a very powerful sense of the machine and technology fascination the society before the WW1 had and it also show the brutal consequences this fascination had. Kawarga creates a machine that brings the idea of Social Models totally to the absurd."

Adrian Notz