Sculptures from «Paleo-Geo-Morphology Cores» are artefacts of the human development. Convenience, the cultural «samples of a breed», has been extracted from the thicknesses of civilization. In the section of the object the viewer may see numerous compressed layers of industrial humus, amorphous and constructive form-creations, taking their start from the deep bowels of the earth.

When a human is engaging in art, he agrees to be in the world, without appropriating it, but collecting the senses, scattered senses, hidden senses in the land . "To be in the World" means "to live in," be aware of their concern about the place of residence, residence, cultivate and study it. "Living in" is showing in the Project as comforting protective sacral reciprocity.

Project by Dmitry Kawarga "Paleogeomorfologiya" appears in the concept of "sacralized reciprocity" as a configuration of the layers of history and culture as a critically interpenetration from the past to the present, manifest of memory's symptom.

Created the story, his images take up a radical novelty, reinventing the original. They are becoming the common property of the historian and the artist, and they are worrying discussion's fields around us. Their interpretation of the elements developed in the inside-out question - who are we? Where we from? And where are we going? Staying at the level of myth, the world of objects found by Dmitry Kawarga and continues to maintain its mental functions indispensable to the chthonic subterranean subconscious life of the art area. The world of found objects by Dmitry Kawarga remaining at the myth level, continues to keep the mental functions, inseparable from chthonic and underground subconscious life of art territory.